It helps with the control of the overtones. A compressor before the octave pedal can help improve tracking though. It will turn your bass into an analog synthesizer! Place the additional pedals after the octave pedal to feed it with as clean a signal as possible. To create a variety of sound with an octave pedal, use it in conjunction with other effects such as a fuzz, drive pedal, envelope filters, or other sound processing effects. Selecting which pickups are active or using the tone control on the instrument to reduce higher frequencies are strategies that can work on any bass. On a jazz bass, roll off the bridge pickup to reduce overtones that can confuse the triggering. Playing slightly softer and closer to the neck makes analog triggers work more consistently. Triggering can be improved by your playing technique and by adjusting to your instrument too. Playing those notes elsewhere on the fretboard should help you avoid the problem. It usually appears only in a couple of places. Learn and remember where the glitches happen and play those notes on a different string and position on the fretboard. The glitches usually happen on a couple of notes played at a specific position on your fretboard. Luckily, there are simple things you can do to reduce frustration. If you keep getting frustrated by inconsistent triggering or experience your pedal appearing too sensitive, you are not alone. Usually, they barely manage to track down to a G on the E string or something like that. You will not find an analog octave pedal that triggers an open E either. Regardless of the brand, by design, analog octave pedals can not trigger every single note you play accurately. We will also reveal why the EBS OctaBass Blue Label is the octave pedal for you! Why analog octave pedals can be frustrating No need to give up though, we will help you turn any frustration into affection by sharing a few tips. Now…let’s get to the really good stuff.Few pedals get such mixed reviews as analog octave pedals. The octave up knob is for adding the upper octave into your signal. Overall, all of these settings are very responsive, and this pedal is set up to give you tons of options for sculpting your fuzz octave tone. Now for the knobs. The volume knob controls the overall volume output of the pedal. The tone knob controls your bass or treble mix of the fuzz itself. The fuzz knob controls how much fuzz you are adding to the mix, and the sub octave knob is for dialing in the sub octave. Then, you have your sub into fuzz button. This is not a stomp button, so you will have to plan ahead of time with how you will use this button in a song before playing. This button activates the sub octave with the fuzz tone, giving it that angry gritty sound that is signature to this pedal. So, before we get into the good stuff (not that it’s not all good when it comes to this pedal), let’s talk about how it works.įor stomp buttons, you’ve got your octave button on the bottom left, and your fuzz up button on the bottom right. The octave button activates the pedal into octave mode, but in order to activate the higher octave, you have to hit the fuzz up button. Most fuzz pedals are typically very straightforward and simple, but when you combine octave effects into the mix, it becomes a bit more complicated. The Slash Octave Fuzz offers one octave up and one octave down, and the capability to run fuzz into either octave. Pictured : The Slash Octave Fuzz pedal and PRS SE Custom 24 Laurel Burl The Octave Fuzz: For Dummiesįor starters, I feel this pedal has a bit of a learning curve.
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